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The mei, or inscription on Japanese swords usually
found the nakago, and can be of several forms. The typical form is chiseled,
or carved, by the maker. The smith may have somebody else do the signature
for him. (Many early smiths were illiterate.) Knowing who did the signature
is one of the difficulties faced by the collector. Other forms of mei
include attributions, which may be done in lacquer, or inlayed metal,
usually gold. Some swords were never signed, or the signature was lost due
to shortening. (Swords are always shortened by removing metal from the
nakago end, the end with the signature.)
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Tachi-mei
Signatures are usually cut on the side
of the Nakago facing away from the person. Tachi
are worn with the edge down, slung on the left side of the body. (This is
just the opposite of Katana, which is worn edge up on the left side of the
body.) Most blades were signed Tachi mei until the Muromachi Period.
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Katana-mei
Since the Katana was worn with the edge
up, the signature was made on the opposite side compared to the Tachi, again
facing outward, as the sword is worn. Most swords after the Muromachi period
were signed this way.
This Mei is read "Bungo ju Fujiwara Saneyuki"
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Omote
This term refers to the front side of
the blade, (the side of the blade that faces out as it is worn). Therefore,
the omote is opposite for tachi and katana! see above.
The characters found on the omote would
usually be the smiths name, place of residence and any titles.
This (omote) Katana-mei is read "Echizen no Kami Fujiwara Kunitsugu", and
translates to: Lord of Echizen (honorary), Fujiwara Kunitsugu (the smiths
name).
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Ura
This term refers to the back side of
the blade (the side of the blade facing the body, as it is worn). Therefore,
the omote is opposite for tachi and katana! The characters on the ura side
of a blade would usually be the date, or some other information.
This is the ura of the katana-mei sword
above, and is read "Ni oite Kuma moto motte namban Tetsu"
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Dai-mei
A student signs his masters blade with
permission or a student makes a blade in the masters style and signs it with
permission.
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Daisaku-mei
In this case the masters signature is
placed on a blade made by his student, in the masters style with permission
of the master. The second generation Kunisada (later became Inoue Shinkai)
was well known for making blades using the first generation Kunisada's
signature. This is usually seen when the father, or master smith, is too old
to make blades, but has not yet passed the title on to his son, or student.
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Shu-mei
A red lacquer signature added from an
appraiser to give an attribution.
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Gi-mei
A false signature.
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Ato-mei
Ato means after, or later. Mei means
signature. It is an inscription, added later, without the smiths knowledge
or permission. Ato-mei can take many forms, many being in gold inlay or red
lacquer, usually as an attribution by an expert sword appraiser. Without
papers, these can be taken 'with a grain of salt'.
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Gaku-mei
When a sword is shortened the signature
can be removed with the surrounding steel and then added to the Nakago.
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Orikaeshi-mei
When a sword is shortened by a smaller
amount the signature and surrounding steel can be folder over the Nakago and
onto the other side.
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Niji-mei
A two character signature.
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Kin-mei Gold inlay on the nakago, usually placed there by an
appraiser.
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